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蜜月直播
蜜月直播 to Become Marist University
University designation reflects breadth of global opportunities and bold vision for Marist's next century.
蜜月直播
-
Academics
蜜月直播 to Become Marist University
University designation reflects breadth of global opportunities and bold vision for Marist's next century.
Academics
-
Admission & Financial Aid
蜜月直播 to Become Marist University
University designation reflects breadth of global opportunities and bold vision for Marist's next century.
Admission & Financial Aid
-
Student Life
蜜月直播 to Become Marist University
University designation reflects breadth of global opportunities and bold vision for Marist's next century.
Student Life
- Athletics
Henry John Pratt
Chair of Philosophy and Religious Studies Department; Associate Professor of Philosophy
Bio
Born and raised in Vermont and taking a circuitous route around the country, I arrived at 蜜月直播 in 2007. Somewhere in the midst of all that, I became, much to my surprise, a go-to authority on the philosophy of comics, though my research touches on many other topics as well. I'm proud to work with such excellent colleagues in the Department of Philosophy and Religious Studies and the School of Liberal Arts. In what passes for my spare time, I enjoy being a father and husband, playing music, running very far, and bicycles (on which you may see me commuting through campus in all kinds of awful weather).
Education
PhD, Philosophy, The Ohio State University
BA, Philosophy and English, The University of Vermont
Research Interests / Areas of Focus
Philosophy of Art
Aesthetics
Value Theory
Comics
Film
Pogonotrophy
Selected Publications
New York: Oxford University Press, 2023.
鈥淭he Beard.鈥 In D.H. Hick (ed.) Case Studies in Contemporary Aesthetics. New York: Bloomsbury Academic. 2021. Retrieved from
鈥淎re You Ready for Some Football? A Monday Night Documentary?鈥 Journal of Aesthetics and Art Criticism 76 (2018): 213-23.
鈥淲hy Serials Are Killer,鈥 Journal of Aesthetics and Art Criticism 71 (2013): 266-70.
鈥淐ategories and Comparisons of Artworks,鈥 British Journal of Aesthetics 52 (2012): 45-59.